[House/U.K. Garage:] Atrip – Apeshit
This is straight pure house music. British producer Atrip channels those early house vibes of the U.K., Chicago and other birthplaces of the scene in “Apeshit.” All the right elements are there, danceable beat, a siren that sounds like an ape going crazy, classic sounding house samples. You can’t go wrong here.
[New Releases:] Tchami – World to Me EP (Confession Records)
One of my favorite EDM/Future House DJs, Tchami, whom I saw in concert here in Atlanta about a month or so ago, has finally released the Extended Play of his hit song, “World to Me.”
My favorite remixes so far from the EP are the Rootkit Remix and Dillon Nathaniel’s Remix. Nathaniel’s remix was dropped by Tchami and Malaa at the Atlanta Tabernacle show and features some festival-rocking, club-jumping bass revvs that are simply amazing.
The Rootkit Remix is much more atmospheric and when the chorus/drop hits the following mish mash of sounds resounds and lifts the track, and you, up high into the air. Sounding like, I dunno, for some reason it kinda reminds me of the ethereal-ness I experienced when first hearing Morgan Page’s “Fight For You” and it’s “Derby Fight” mash-up remix.
Be sure to check out the World to Me EP and Tchami’s “Confession” if you haven’t already.
Couldn’t have said it better myself.
Written by Tim Sandler
The EDM giant Marshmello and the trap icons Migos have teamed up for their track Danger, a tune for the soundtrack to the upcoming Netflix movie Bright, which features another EDM/trap crossover with a song from Steve Aoki and Lil Uzi Vert.
While it’s rare for these two worlds to collide, it isn’t unheard of with Marshmello having remixed Future’s Mask Off and using the talents of Khalid for his song Silence. However, this time round he lets go of the air horns and frat party drops in favour of a colder, more trap like beat that the Migos would be more accustomed to, but not without dropping the electronic sounds altogether.
The end result is a slightly more electronic trap tune, reminiscent of the sounds used on Vince Staples’ album Big Fish Theory released earlier this year. The rattling hi hats and ominous…
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Tchami & Malaa light ATL’s Tabernacle on fire during the No Redemption Tour
Tchami & Malaa brought down the house at The Tabernacle in downtown Atlanta on Saturday, November 18th. With Halogen as the opening act the duo proceeded to melt minds and faces around 10:30 PM. Check out some of the videos I took below:
Summer ’99. Bass was lit.
I know this one! It’s “The Sermon” check out the light show these cubes give off.
Another unknown song. The drop was incredible however.
Pure Bass/Future/Dance house vibes.
Another epic remix with ridiculous bass.
[Future & Deep House:] Chilled Upbeat Grooves (Nov. 17 Mix)
Check out my latest mix, “Chilled Upbeat Grooves” on SoundCloud. Full of songs perfectly in between “chill” and “upbeat.” Look out for more mixes soon.
There aren’t many good remixes of Kid Cudi’s “Day ‘N Nite” but Moski’s Switch Up is excellent. The right amount of Future House flair, while still incorporating the best elements of the original make for a banger that shouldn’t be missed.
Kid Cudi has always been a favorite of mine and I’ve been listening to his music since he was underground, well before Day ‘N Nite became a hit. I’ve always felt a special connection with his music. His originality, his realness, touching on issues such as depression and addiction, and the messages within his music.
Crookers is great as well and has released many “underground” like house hits and actually helped make Kid Cudi famous when they remixed “Day ‘N Nite” way back in 2008. The song was so successful in Europe (and eventually America) that it got it’s own music video, even before the original song had gotten a video!
…and if you under him, you ain’t gettin’ over him.
I got new rules, I count ’em. I got new rules, I count ’em.
I gotta tell them to myself.
The hit song “New Rules” has been remixed six ways to Sunday ever since the original released. Shaun Dean‘s remix adds some funky future house synths along an upbeat, but grimey bassline. Check it out above, courtesy of Deeprot’s Youtube Channel.
LUMiNOUS Musings 