Two legends, DROELOE and San Holo create a masterpiece with “Lines of the Broken (Ft. Cut_)
[Future Bass:] Lines of the Broken (Ft. Cut_) – DROELOE & San Holo
When San Holo & DROELOE, two major forces in their own right, together create something epic and magical. “Lines of the Broken” with vocal blessings from Cut_ perfectly balances the soft, dreamy vocals with powerful drops and bass, accented by starry twinkling plucking synths *chefs kiss.
Check out Inova’s “Disowned” a future house jam with haunting piano chords and synths.
[Future House:] Disowned – Inova
“disowned” by Inova comes in heavy with dark, subtle vibes that make the track almost seem haunting. A melodic piano chord accompanies hard synths and dark house overtones that lead up to the first drop. The vocalist conveys equally haunting moods singing:
When I’m standing near you I can’t get my words out like I fear you Being in your shadow, how you magnetise While you’re lighting fi-i-ire
Australian based DJ, Jyye, delivers an uplifting remix of Rachel Costanzo’s “Comfortable.” Channeling future house vibes, bass lines and great vocals is a deep floor-filler with a depth of sound that is nicely realized, as much of the music featured on Selected.’s YouTube channel is.
This song certainly “keeps it comfortable” settling with a comfy sound and BPM perfect for house lounges and late night set sessions.
French Bass and Future House producer Malaa does it again with “We Get Crunk.” G-House samples and vibes meld well with a more deep/tech-house feel or vibe making a heavy track that mixes well as a great transitory tune into the next floor filler.
Malaa and his Confession label mate Tchami have been on fire recently releasing new music and touring all around the US and Europe.
Listen to the track on Spotify or other music services here.
Be sure to check out more from the Confession label on their YouTube page.
Off the Alchemy Volume III EP, Rootkit’s “Take a Shot” blends heavy industrial sound with Future House.
[Dark House/Future House:] Take a Shot – Rootkit
Fresh from the Confession label’s Alchemy Vol. 3 is a new song from Future House producer Rootkit. Track six on the album, “Take a Shot” combines heavy bass, and a dark atmospheric sound to create a future house track that exudes a full bodied, yet minimalist sound.
As the sampled voice in the background repeatedly commands “Take a Shot,” sounds of echoing synths and tribal sounding wails combine to creating a very industrial feel.
Being the musichead that I am, whenever I hear a song that sounds epic, I have to hunt it down. Youtube, knowing that I attend festivals, placed an ad for Breakaway Music Festival before a video I watched, and although I am too broke to go to another fest so quickly, I was transfixed by the song playing and the visuals of what looks like a pretty enjoyable festival not too far from me. Maybe if a miracle happens I’ll find myself there, who knows.
Anyway, enough rambling, Bro Justin’s remix of Khalid and Normani’s “Love Lies” has an uplifting vibe and sound, perfect for festivals, and for the summer season that has sadly drawn to a close. That doesn’t mean you can’t still enjoy it and rock out whenever the feeling hits you though!
Bro Justin is a Filipino electronic music artist who has several remixes that you can check out on his Soundcloud.
Cazztek delivers a bass thumping, yet ethereal big room “feel” take on Tchami’s “World to Me”
Tchami – World to Me (feat. Luke James) [Cazztek Remix]
Tchami’s “World to Me (feat. Luke James)” was one of the songs hot enough off his album to warrant its own EP. I’ve covered the Rootkit Remix & the Dillon Nathaniel Remix but there’s another flip just as epic that deserves not to be overlooked.
Cazztek’s remix of the song takes it in an interesting direction. A fusion of bass house, dance house and Future House this remix blends all these elements for an uplifting, atmospheric remix with plenty of energy.
A catchy beat and vocal sample play over the opening hook, “Baby, you should know/that you mean the world to me” with trance synths into a bass filled future house drop. The drop alone, heavy enough to fill dancefloors, refreshingly devolves back into broken down layers at the second chorus/full hook.
Ending out with warped bass and synths and then the return of the distorted vocal sample results in a song so upbeat, so funky, so different it’ll turn just about any person’s head.
Check it out above as well as more remixes from Tchami’s “Confession” label YouTube page.