Animadrop’s Aethra is the embodiment of both old era and new wave trance.
[Transcendent Trance:] Aethra – Animadrop
Animadrop brings all the feels with this absolutely uplifting embodiment of trance “Aethra”. Multiple trance synth filled drops, hypnotizing vocals and an overall air of transcending time abound. This 2019 cut feels like it easily could’ve released in the 2010s era of industrial trance music capturing and updating the allure, and power of the genre.
Check out Aethra and more from Animadrop on Soundcloud.
Today’s trance throwbacks are some classic numbers from Cerf, Mitiska & Jaren
Trance Throwbacks – Cerf, Mitiska & Jaren
Today we’re throwing back to some classic trance tunes from Cerf, Mitiska & Jaren. The trio is notable for many trance tracks and frequently collaborating with Armada Music label head Armin Van Buuren.
Starting Right Now
Starting Right Now, originally released in 2012, is an uplifting trance number combining early elements of future trance with smooth vocals and melodies. Chris Jones is featured on this one with vocals creating a stratospheric melody with Jaren’s.
One of their most popular tracks, Light the Skies (originally released in 2008) is a beautiful song reminiscent of Oceanlab’s “Satellite” with its transcendent vocals and down-tempo melodies. Retrobyte’s Classic Electrobounce Edit, seen in Armin’s A State of Trance series is one to drift off to, sleep to, dream to. This was when trance was at it’s best.
Swiss DJ, EDX’s “We Can’t Give Up” is a light-hearted, upbeat dance number great for cooldown sessions or more downtempo sets.
[Big Room House/Dance:] We Can’t Give Up – EDX
We Can’t Give Up (Official Music Video)
EDX Performing “We Can’t Give Up” at Imagine Music Festival 2018
Girl, you’re something special,
And you know I want you,
You’ve been on my mind all the time,
and you know, that we can’t give up
This one’s a little late, but as I was clearing media off of my phone I realized I never uploaded many videos of EDX’s show at Imagine Music Festival. I’d be doing myself a disservice if I didn’t highlight this great track, “We Can’t Give Up.”
Swiss DJ, EDX is known to delve into the more melodic and big-room style of dance music that is very emotionally moving, soothing and self-contemplative. This track is no different. Not taking itself incredibly serious and not a high energy banger, this song is more soothing to the soul and one you dance carefree to, swaying to the beat or shuffling on time. It’s important to have artists that stick to this style of music in an era where others are always looking for the “hardest” song or drop.
Each style has a time and place and this song is a great cool down track or addition to a more downtempo set. Look below for more music from EDX and links to his profiles.
Swedish duo Galantis, delivers a fun, light-hearted affair with “Emoji.”
[Dance House:] Emoji – Galantis
Swedish EDM duo Galantis’ newest song “Emoji” is a very welcome affair to the EDM world. Beginning with very soft, yet sultry vocals reminiscent of ones oft used by fellow House DJ, Kaskade, the beat picks up into energetic, fun, light-hearted sound. A nice change of pace from the high energy drops so often the go to’s at modern EDM shows and festivals.
Oooohhhh weeee / Send me an emoji, lemme know how you feel croons the female vocalist. Accentuated by light piano chords and a light rhythm, the song certainly makes a perfect “wind-down” number for house DJs.
The music video, directed by Dano Cerny is a cute visualization of a member of the duo spending time alone at his house with an emoji/heart. The ending is really sweet and the video goes well with a fun little tune like this one.
Learn more about Galantis on their Facebook, and hear more music from them on Spotify.
This is another EDM Origins post. As the name suggests, without tunes loke these, we may have never gotten to the point where dubstep, trap, glitch, and future house would have become popular.
Karmatronic’s remix of Michelle Williams’ “We Break the Dawn” takes an incredibly different spin on the song pulling a total 180° from the original. From a slow, pop-laden R&B track to a complex, layered and simply moving progressive track, everything about this song is top notch. The remix benefits from a faster BPM, making it more danceable, and wavy, calming synths accentuating the hook/chorus.
Can’t Sleep – Above & Beyond
Above & Beyond has been a name in the electronic genre for decades. They’ve released groundbreaking music, long before many of today’s acts even existed. Two popular favorites include the transcendental vocal trance cut, “Satellite” and the equally deep in trance elements, “Can’t Sleep” which has been remixed by Araabmuzik, Above & Beyond themselves, and countless others.
This EDM Origins post focuses on some of the early trance and progressive house sounds responsible for today’s EDM with a sick remix of Michelle Williams by Karmatronic
[Hard House/Anthem Trance] Future Breeze – Second Life (Club Mix)
For Our EDM Origins of today we have two very influential and treasured songs from my music library. Both released during the forefront of EDM’s emergence into American culture during the ripe year of 2008. Our first selection “Second Life (Club Mix” by Future Breeze is a highly slept on, heavy bass-synth trance track I happened to stumble across on iTunes one day.
[Spoiler:] For the young and restless skip ahead to the 3:01 mark for the epic drop. The song continually builds over futuristic synths that were likely foundations for the Future House and Synth House we have today. After a nice little intro the music cuts. Slowly but surely a tiny synth chord begins, growing louder, until the epic dropthat rides out for the rest of song. Trance lovers will not be disappointed.
[Ambient Trance/House] Michelle Williams – We Break the Dawn (Karmatronic Video Remix)
Next up, how can we forget Karmatronic’s magnificent remix of Michelle Williams “We Break the Dawn”. Turning the song into a groovy, downtempo and danceable house track. This remix stands out to me today the same way it did when I purchased it solely off its 30 sec. preview back in 2008. It’s one of a growing minority of older songs I still keep in 8000+ library. I guess it’s the overall natural feel of the melodies blending into something smooth and harmonic without losing the original’s identity. A welcome change from a time awash with similar “remixes” of pop music and Top-40 hits that populated dance charts throughout the early to mid-2000s.
This remix is a great song for riding, relaxing, getting things done, or just to find your own little groovy moment in it.