This is another EDM Origins post. As the name suggests, without tunes loke these, we may have never gotten to the point where dubstep, trap, glitch, and future house would have become popular.
Karmatronic’s remix of Michelle Williams’ “We Break the Dawn” takes an incredibly different spin on the song pulling a total 180° from the original. From a slow, pop-laden R&B track to a complex, layered and simply moving progressive track, everything about this song is top notch. The remix benefits from a faster BPM, making it more danceable, and wavy, calming synths accentuating the hook/chorus.
Can’t Sleep – Above & Beyond
Above & Beyond has been a name in the electronic genre for decades. They’ve released groundbreaking music, long before many of today’s acts even existed. Two popular favorites include the transcendental vocal trance cut, “Satellite” and the equally deep in trance elements, “Can’t Sleep” which has been remixed by Araabmuzik, Above & Beyond themselves, and countless others.
Check out these two exceptional remixes of these iconic R&B singers: Destiny’s Child & Mario Winans
[R&B EDM Remixes] [Deep House/R&B]
Mario Winans – I Don’t Wanna Know (Zoo#Clique Edit)
Today, we’ve got two great EDM remixes of two very classic R&B tunes that are a throwback to early ’00s rhythm and blues music.
First up, a chill down-tempo, but still massive remix of Mario Winans “I Don’t Wanna Know” coming to us from CDeep Music’s Youtube Channel. The Zoo#Clique Remix expounds on the original adding layers of atmospheric deep ambient house, clublike basslines and rhythms and slowed vocals. This remix certainly does the original justice retaining most of the elements from the original, save for the stupidly sick sample of The Fugees “Ready or Not,” but that’s forgivable. Nevertheless, don’t miss out on this awesome track and summer 2016 ambient-chill banger! Download it for free!
[Ambient Future R&B] Destiny’s Child – Say My Name (Synthetic Epiphany Remix)
Next, from the legendary R&B trio Destiny’s Child comes an epic remix of one of their most well known and popular single’s “Say My Name.” Destiny’s Child and its individual members are no strangers to remixes (especially of the electronic variety; check out a few under this post). The Synthetic Epiphany Remix re-imagines the R&B bopping anthem as a chill house club single that’ll round off nights with its building layers of ambiance, future sounds and throwback nostalgia.
Other notable Destiny’s Child Electronic Remixes:
Michelle Williams – We Break the Dawn (Karmatronic Remix)
This EDM Origins post focuses on some of the early trance and progressive house sounds responsible for today’s EDM with a sick remix of Michelle Williams by Karmatronic
[Hard House/Anthem Trance] Future Breeze – Second Life (Club Mix)
For Our EDM Origins of today we have two very influential and treasured songs from my music library. Both released during the forefront of EDM’s emergence into American culture during the ripe year of 2008. Our first selection “Second Life (Club Mix” by Future Breeze is a highly slept on, heavy bass-synth trance track I happened to stumble across on iTunes one day.
[Spoiler:] For the young and restless skip ahead to the 3:01 mark for the epic drop. The song continually builds over futuristic synths that were likely foundations for the Future House and Synth House we have today. After a nice little intro the music cuts. Slowly but surely a tiny synth chord begins, growing louder, until the epic dropthat rides out for the rest of song. Trance lovers will not be disappointed.
[Ambient Trance/House] Michelle Williams – We Break the Dawn (Karmatronic Video Remix)
Next up, how can we forget Karmatronic’s magnificent remix of Michelle Williams “We Break the Dawn”. Turning the song into a groovy, downtempo and danceable house track. This remix stands out to me today the same way it did when I purchased it solely off its 30 sec. preview back in 2008. It’s one of a growing minority of older songs I still keep in 8000+ library. I guess it’s the overall natural feel of the melodies blending into something smooth and harmonic without losing the original’s identity. A welcome change from a time awash with similar “remixes” of pop music and Top-40 hits that populated dance charts throughout the early to mid-2000s.
This remix is a great song for riding, relaxing, getting things done, or just to find your own little groovy moment in it.