[Dark House/Future House:] Take a Shot – Rootkit
Fresh from the Confession label’s Alchemy Vol. 3 is a new song from Future House producer Rootkit. Track six on the album, “Take a Shot” combines heavy bass, and a dark atmospheric sound to create a future house track that exudes a full bodied, yet minimalist sound.
As the sampled voice in the background repeatedly commands “Take a Shot,” sounds of echoing synths and tribal sounding wails combine to creating a very industrial feel.
Preview the Alchemy Volume III EP here.
Also check out a previously blogged about remix of fellow label mate Tchami’s “World To Me” where Rootkit also adds a heavy atmospheric sound to the original track.
[Tech House/Groove House:]
Mark Knight – We Get High from the Music
Check out this groovy Tech-House cut, embodying the core elements of the house genre.
A steady, funky beat. House synths and effects alongside driving vocals produces a classic hit, and great transition track for the dancefloor into some harder house or something light. Check it out above.
[Chill House/Ambient/Big Room:] NVDES – Louí
Check out this chill house cut from NVDES. The group has been gaining popularity after their song “D.Y.T. (Do Your Thing)” appeared in an Apple commercial for different styles of camera lighting.
Like “Do Your Thing,” “Louí” has a very chill vibe, even more so than the former. Lush house vibes and a calm, but steady beat are refreshingly reassuring for the house genre as a whole.
NVDES – D.Y.T. (Do Your Thing) [feat. REMMI]
[House:] Blu Cantrell – Breathe (ft. Sean Paul) [Pearse Dunn Remix]
[House:] Blu Cantrell – Breathe (ft. Sean Paul) [Calvin Buckley Remix]
Apparently it’s hot right now to remix Blu Cantrell’s “Breathe.” The 2003 single featured Sean Paul and enjoyed substantial airplay on hip-hop and R&B radio stations. Just in time for the wrapping of summer 2017 come two great house remixes of the original song.
Pearse Dunn’s remix channels slightly more aggressive dance-ready number, with a funky BPM and grimey basslines coupled with synths ready to heat up the clubs, this remix definitely has energy. Calvin Buckley’s take is slightly more chill, like a mid-to-late night cut rounding out the night. Think turning up the crowd then gradually letting them mellow back out. Steadily building, echoing synths and snares culminate to a short break before the rhythm and melodies are broken down then built back up.
Both remixes are certainly worth checking out.
CiD – Love is Blind
CiD is certainly an artist to be reckoned with. Having dropped numerous bangers on his own, and with fellow house giant “Kaskade,” I still have yet to find music from him that I don’t really like. “Love is Blind” is an awesome future bass-house track that pumps up the volume with slowed down vocal samples over futuristic and far out electro-synths. The result is a song with instruments you’d normally associate with a more chill, mellow house cut being used to create a floor-filling club banger. Check out other songs I’ve featured by CiD such as his collaboration with Kaskade in “Us” or one of his more recent house bangers “Sweet Memories”
GTA & Wax Motif – Get It All
EDM producer GTA does it again, with help from house producer Wax Motif in “Get It All.” While the song doesn’t really do anything sonically that is very novel or unique, it’s combinations of melodies is soothing to the ear and you can’t help but bop to it. Check out a rap collab by GTA and rapper Vince Staples in “Little Bit of This.”
Ghost (feat. Vince Staples) [Major Lazer Remix] – With You
You can also check out a very cool Future EDM type track featuring Vince Staples in “Ghost” by With You above.
The progressive house throwbacks “Da Hype” and “Stupidisco (Dare Me)” from Italian house DJ, Junior Jack, withstand the test of time and are shining examples that foreshadow EDM’s launch into mainstream America. The building progressive rhythm of both songs are characteristic of house at its core and capture the spirit of many “early” EDM songs.
Electronic and dance music released in the early to mid-2000s catalyzed the evolution of the genre and certainly were ancestors of the soon-to-be popularized “dubstep.” Released back in 2004, “Da Hype” is forever a favorite of mine; it was part of the first real collection of EDM and house music I had acquired…back then would’ve been about 9th grade. Several years after I was introduced to the genre (when I was 10 or 11) but about two years since I’d really gotten into the scene (mainly from video games soundtracks w/EDM: Need For Speed Underground, SSX 3 come to mind).
I am forever grateful for my exposure to artists such as Junkie XL, LCD Soundsystem, BT, Deep Dish, DJ Tiësto, Röyksopp and many more that solidified my interest in EDM. Artists like these were pioneers of the genre and helped drive it to what we know today. We musn’t forget however, that quality is always over quantity. The ubiquity of electronic music today is refreshingly satisfying, but we should all take note of the sheer originality and creativity expressed during those years and even earlier before.
We’ve got some new house music for the summer coming from Hunter Siegel featured today! Chopped up female vocals accompany the synth and bass lines of this track, dubbed “Future House” by Siegel. Mixing 90’s house sounds with futuristic rhythms, “Waiting Game” will fit right inti DJs’ playlists at dance clubs and discothèques.
The single is a relaxing break from some of the more “hardcore”, sensory overload inducing sounds of dubstep, hard electro/house, and trap/bass music proliferating the scene!
Give “Waiting Game (Original Mix)” a listen and download it for free!
More info on Hunter Siegel (Support EDM artists!!):