This EDM Origins post focuses on some of the early trance and progressive house sounds responsible for today’s EDM with a sick remix of Michelle Williams by Karmatronic
[Hard House/Anthem Trance] Future Breeze – Second Life (Club Mix)
For Our EDM Origins of today we have two very influential and treasured songs from my music library. Both released during the forefront of EDM’s emergence into American culture during the ripe year of 2008. Our first selection “Second Life (Club Mix” by Future Breeze is a highly slept on, heavy bass-synth trance track I happened to stumble across on iTunes one day.
[Spoiler:] For the young and restless skip ahead to the 3:01 mark for the epic drop. The song continually builds over futuristic synths that were likely foundations for the Future House and Synth House we have today. After a nice little intro the music cuts. Slowly but surely a tiny synth chord begins, growing louder, until the epic dropthat rides out for the rest of song. Trance lovers will not be disappointed.
[Ambient Trance/House] Michelle Williams – We Break the Dawn (Karmatronic Video Remix)
Next up, how can we forget Karmatronic’s magnificent remix of Michelle Williams “We Break the Dawn”. Turning the song into a groovy, downtempo and danceable house track. This remix stands out to me today the same way it did when I purchased it solely off its 30 sec. preview back in 2008. It’s one of a growing minority of older songs I still keep in 8000+ library. I guess it’s the overall natural feel of the melodies blending into something smooth and harmonic without losing the original’s identity. A welcome change from a time awash with similar “remixes” of pop music and Top-40 hits that populated dance charts throughout the early to mid-2000s.
This remix is a great song for riding, relaxing, getting things done, or just to find your own little groovy moment in it.
Today’s EDM Origins highlights songs from none-other-than, the ambassador of American house-music, Kaskade.
[Progressive Trance-House:] Kaskade feat. Becky Jean Williams – Start Again
The EDM Origins post for today focuses on house music, particularly the mish-mash of progressive house, vocal trance and dance music typical of super-producer Kaskade. In “Start Again,” enchanting and uplifting female vocals commence the ride and journey into tech-house beats melded with trance-like melodies. It’s hard to pinpoint any onestand-out track from Dynasty. Most of the album has this signature sound of Kaskade’s. More epic even, are the remixes of EP’s popular tracks and, as is common practice in EDM, the whole album (see Kaskade’s Fire & Ice (Double EP Album), other self-remixers include Diplo and DJ Tiesto to name a few)
[Dance / Club House:] Kaskade & Adam Sun feat. Sunsun – Raining (Dance.Love Edit)
“Raining” is EDM producers, Kaskade and Adam Sun‘s dance-house masterpiece, filled with intoxicating vocals, bass heavy synths and a quite dance-able rhythm. The “dance.love edit” is featured on Kaskade’s remix compilation album, dance.love, alongside a host of other amazing remixes of Kaskade’s songs and other artists such as Alex Gaudino, Samantha James and Adrian Lux (see below:)
Samantha James – Waves of Change (Kaskade Remix)
Kaskade featuring Adrian Lux – Teenage Crime (Axwell & Henrik B Remode)
Eric Prydz is a well known name in the EDM sphere, mainly for his house and trance music, much of it released under his pseudo-nym Pryda. Prydz is known for powerful deep-house tracks, featured all throughout the album Pryda, some of which I have featured in some of my sets. Check out the Ark remix of his song “Generate” above.
K. Camp – Lil’ Bit (no sleep Remix)
The next remix is a great chill/trap remix of Atlanta rapper K. Camp’s “Lil’ Bit.” EDM artist no sleep adds a very nice ambient, psychedelic vibe to the original rap track and makes it a much smoother ride without compromising its hardness. Check it out above.
We’ve got two new Futureclassics for you today from EDM artists, DJs and producer Cash Fargo along with Class-X.
Our first is Los Angeles producer, Fargo’s “Undo Your Love“, atransfixing smooth blend of house-y male vocals, much akin to Disclosure or Tchami, but with that indie, fresh, hipster feel (and I mean that in the best way possible). If songs like this are indicative of Cash Fargo’s work and overall sound, it’s safe to say we can expect him to be a rising name in the alternative EDM scene, slated to appear at alternative EDM venues and festivals (if he is not already).
If you’re looking for something a bit trappier Fargo’sremix of Future’s “Covered ‘N Money” is great as well (see below:)
Next up (link below) is the chillwave progressive-house mélange of sounds in Netherlands DJ, Class-X’s “Away“. With simply beautiful, relaxing piano arpeggios and a back-beat with elements grounded in house, but flirting between the lines of sounds more characteristic of Trance. Give the song a listen below and download it for free on Class-X’sSoundcloud.
Kaskade is probably one of the most popular and sought-afterAmerican producers of electronic and house music. Chances are, if you watch TV, play video games or went to the movies you’ve heard one of his songs. His music is featured in many different forms of media, much akin to fellow EDM producers and DJs, like BT and Paul Oakenfold.
Our feature is one of Kaskade’s signature songs from the early 2000s, the completely chilled-out, smooth house single “Steppin’ Out”
Kaskade is largely known for growing the house music scene in his hometown of Chicago in the early 2000s. Though Kaskade has varied in musical styles during his growth, as a whole, his music can be said to be fulfilling for the soul, or music to put you at ease. Much of his house music includes sultry female vocals alongside soft, harmonic melodies that become instantly recognizable, simply from their uniqueness. Take the song that introduced many, including myself to Kaskade, his absolutely astonishing remix of David Morales & Tamra Keenan’s “Here I Am” featured in the 2006 film The Devil Wears Prada.
Next up was a random song that my iPod shuffled to today. An EDM/progressive-house tune I bought and downloaded back when I was a senior in high school (2007). This one comes from Alternative Electronic band Kosheen, one of their bigger breakout singles, “Same Ground Again“. In fact, their whole 2007 EP, Damageis chock-full of good alternative-sounding electro music that still holds up today. Check it out above and see more from Kosheen at the links below:
The progressive house throwbacks “Da Hype” and “Stupidisco (Dare Me)” from Italian house DJ, Junior Jack, withstand the test of time and are shining examples that foreshadow EDM’s launch into mainstream America. The building progressive rhythm of both songs are characteristic of house at its core and capture the spirit of many “early” EDM songs.
Electronic and dance music released in the early to mid-2000s catalyzed the evolution of the genre and certainly were ancestors of the soon-to-be popularized “dubstep.” Released back in 2004, “Da Hype” is forever a favorite of mine; it was part of the first real collection of EDM and house music I had acquired…back then would’ve been about 9th grade. Several years after I was introduced to the genre (when I was 10 or 11) but about two years since I’d really gotten into the scene (mainly from video games soundtracks w/EDM: Need For Speed Underground,SSX 3 come to mind).
I am forever grateful for my exposure to artists such as Junkie XL, LCD Soundsystem, BT, Deep Dish, DJ Tiësto, Röyksopp and many more that solidified my interest in EDM. Artists like these were pioneers of the genre and helped drive it to what we know today. We musn’t forget however, that quality is always over quantity. The ubiquity of electronic music today is refreshingly satisfying, but we should all take note of the sheer originality and creativity expressed during those years and even earlier before.