Chicago native, John Summit releases progressive monster “Human” with backup from Echoes.
Deep House Collection
Got some excellent deep house from Chicago native John Summit to share today. First up is his recent release “Human” with backup from Echoes giving strong progressive house with touches of uplifting trance.
Second up is his amazing tech-house number, “Make Me Feel”. Personally, I actually really seem to like the Radio Edit of “Make Me Feel”, it seems to be the only one that repeats the leadup to the hook more than once. Check them both out below:
Summit has been active in the scene releasing a number of original tracks and collaborations with the likes of Sofi Tukker. Learn more about John Summit on his website and check out some of his other releases.
Animadrop’s Aethra is the embodiment of both old era and new wave trance.
[Transcendent Trance:] Aethra – Animadrop
Animadrop brings all the feels with this absolutely uplifting embodiment of trance “Aethra”. Multiple trance synth filled drops, hypnotizing vocals and an overall air of transcending time abound. This 2019 cut feels like it easily could’ve released in the 2010s era of industrial trance music capturing and updating the allure, and power of the genre.
Check out Aethra and more from Animadrop on Soundcloud.
(Catch “Blue Lakes” and any other song in his Tomorrowland set, which is tracklisted in the info on Youtube. This video starts at Blue Lake 52 minutes in)
Progressive DJ Boris Brejcha put on a hell of a set at Tomorrowland 2018 in Belgium. Several standout songs were in his set, which featured exclusively only Brejcha’s own music. The German DJ had fans locked into his realm of entrancing soundscapes for over an hour and a half and received rave reviews for his performance (as well as many others he has done as of late). Be sure to check it out!
This is another EDM Origins post. As the name suggests, without tunes loke these, we may have never gotten to the point where dubstep, trap, glitch, and future house would have become popular.
Karmatronic’s remix of Michelle Williams’ “We Break the Dawn” takes an incredibly different spin on the song pulling a total 180° from the original. From a slow, pop-laden R&B track to a complex, layered and simply moving progressive track, everything about this song is top notch. The remix benefits from a faster BPM, making it more danceable, and wavy, calming synths accentuating the hook/chorus.
Can’t Sleep – Above & Beyond
Above & Beyond has been a name in the electronic genre for decades. They’ve released groundbreaking music, long before many of today’s acts even existed. Two popular favorites include the transcendental vocal trance cut, “Satellite” and the equally deep in trance elements, “Can’t Sleep” which has been remixed by Araabmuzik, Above & Beyond themselves, and countless others.
Cazztek delivers a bass thumping, yet ethereal big room “feel” take on Tchami’s “World to Me”
Tchami – World to Me (feat. Luke James) [Cazztek Remix]
Tchami’s “World to Me (feat. Luke James)” was one of the songs hot enough off his album to warrant its own EP. I’ve covered the Rootkit Remix & the Dillon Nathaniel Remix but there’s another flip just as epic that deserves not to be overlooked.
Cazztek’s remix of the song takes it in an interesting direction. A fusion of bass house, dance house and Future House this remix blends all these elements for an uplifting, atmospheric remix with plenty of energy.
A catchy beat and vocal sample play over the opening hook, “Baby, you should know/that you mean the world to me” with trance synths into a bass filled future house drop. The drop alone, heavy enough to fill dancefloors, refreshingly devolves back into broken down layers at the second chorus/full hook.
Ending out with warped bass and synths and then the return of the distorted vocal sample results in a song so upbeat, so funky, so different it’ll turn just about any person’s head.
Check it out above as well as more remixes from Tchami’s “Confession” label YouTube page.
This EDM Origins post focuses on some of the early trance and progressive house sounds responsible for today’s EDM with a sick remix of Michelle Williams by Karmatronic
[Hard House/Anthem Trance] Future Breeze – Second Life (Club Mix)
For Our EDM Origins of today we have two very influential and treasured songs from my music library. Both released during the forefront of EDM’s emergence into American culture during the ripe year of 2008. Our first selection “Second Life (Club Mix” by Future Breeze is a highly slept on, heavy bass-synth trance track I happened to stumble across on iTunes one day.
[Spoiler:] For the young and restless skip ahead to the 3:01 mark for the epic drop. The song continually builds over futuristic synths that were likely foundations for the Future House and Synth House we have today. After a nice little intro the music cuts. Slowly but surely a tiny synth chord begins, growing louder, until the epic dropthat rides out for the rest of song. Trance lovers will not be disappointed.
[Ambient Trance/House] Michelle Williams – We Break the Dawn (Karmatronic Video Remix)
Next up, how can we forget Karmatronic’s magnificent remix of Michelle Williams “We Break the Dawn”. Turning the song into a groovy, downtempo and danceable house track. This remix stands out to me today the same way it did when I purchased it solely off its 30 sec. preview back in 2008. It’s one of a growing minority of older songs I still keep in 8000+ library. I guess it’s the overall natural feel of the melodies blending into something smooth and harmonic without losing the original’s identity. A welcome change from a time awash with similar “remixes” of pop music and Top-40 hits that populated dance charts throughout the early to mid-2000s.
This remix is a great song for riding, relaxing, getting things done, or just to find your own little groovy moment in it.