Tag Archives: bass

[Festival Dance/Bass:] Matt Nash – Run


 

[Dance/Bass House:] Matt Nash – Run

Check out Matt Nash’s “Run,” a festival circuit ready ride through atmospheric synths, heavy bass and uplifting vocals.

More Matt Nash Music:

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[Future House/Club Hit:] Tchami – Godspell (feat. Taiki Nulight)


[Future House:] Tchami – Godspell (feat. Taiki Nulight)

I’m the one and only dominator

As soon as I saw Tchami and Taiki Nulight, I clicked as fast as my god-damn mouse could. I didn’t need to be told an epic track would ensue.

Hit Future House DJ, Tchami has been dropping several new songs, part of his Revelations – EP. He lays down an absolute club banger with fellow house legend Taiki Nulight with “Godspell.”

Filtered vocal samples, bass waves deep enough to break your coffee table and futuristic synths create a truly godly track. The introduction leading to the first drop and even the outro make excellent transitory songs for those who DJ.

Check out “Godspeed” above and more from both artists below.

-Thanks to Future House Music’s Youtube Channel for this find.

Tchami on Soundcloud:

Taiki Nulight on Soundcloud:

[Ambient House/IDM:] Zhu – Intoxicate


[Ambient House/Intelligent Dance Music]
Intoxicate – Zhu

What can I say about Zhu? Other than that his music is mind blowing, Zhu has been making waves in the electronic scene for quite some time now. In one of his latest releases “Intoxicate” he reaffirms his rising position among electronic producers.

“Intoxicate” is a wild, deep journey through spacey sounds, trippy bass lines and incredibly catchy computer vocals. You can’t help but move and sway to the beat as it builds up and breaks down, or for the final chorus and trap snare reprise near the ending. As the computer repeats, “Intoxicate…exhilarate…stimulate…accelerate…” you find your body and mind wanting to do the same.

Do yourself a favor and check “Intoxicate” out, as well as more from Zhu including a great remix by Enda of his song “Faded.”

[Electronic/House:] Fynn – Illusion // Forbid – Get You Alone


[Electronic/House:]
Illusion – Fynn

Get You Alone – Forbid

You already know what’s going down, when I get you alone
Cos’ you know what I came here to do when I get alone

Check out these two downtempo house tracks, courtesy of Selected.‘s Youtube Channel. The first, Fynn’s “Illusion” uses minimalist beats, haunting synths and soft-echoing vocals. The result is a semi-dark, groovy house number going above and beyond what you’d normally expect.

Next, Forbid’s “Get You Alone” has a more R&B feel to it, melded over a steady house beat and ping-pong synth noises in the background. Starting out relatively tame, with the chorus repeating, the song builds until it crescendos in it’s first drop inviting floor-shaking bass to the party. Simply funky, pulse-driving and at it’s core, exactly what good house music is supposed to sound like. Don’t miss both of these great tracks!

[Heavy Bass/Trap:] Heckler – Ultimate


[Trap/Bass]
Heckler – Ultimate

Check out this super-heavy bass filled trap banger from Hekler. Starting with a hazy atmospheric vibe the song quickly amps up the energy dropping bass bombs, heavy snares and trappy sampled vocals. The first drop of the song comes as a welcome surprise evolving into very interesting and unique basslines and bass rolls. All fans of trap and heavy bass music should not miss this track.

Find more from Hekler on his Soundcloud

[Rap & Trap Music] 21 Savage – Lord Forgive & Mind Yo Business


21 Savage’s “Slaughter King” is a steady progression of hard, dark trap beats and street lyrics that goes above and beyond its genre cliches.

[Rap & Hip-Hop] [RTS: Real Trap Sh*t]
21 Savage – Lord Forgive (prod. by Fukk 12)

21 Savage – Mind Yo Business

More from 21 Savage

If you’re not familiar with current Atlanta trap music “slaughter king,” 21 Savage shame on you…and me. I was not either until a few months ago back in early Spring. As an old head (or maybe slowly becoming an old fart), I had stopped following this generation of “trap” hip-hop after Chief Keef’s “I Don’t Like” and similar songs dominated airwaves in the past year or two. Of course, here and there I’d hear a song I liked, mostly off of the radio, but I’ve always identified more with “trap” music of the early to mid 2000s (think Gucci ManeT.I., Lil’ Boosie, Cam’Ron and a host of long fizzled out local ATL groups, like Crime Mob or D4L.

While recently chillin’ with some young bucks in the ATL streets, they did not hesitate to introduce me to the budding rapper. Just as I was with dubstep, trap EDM and IDM music, I did not immediately embrace this new type of music shown to be by friends. Especially as it seemed so braggadocious and over-laden with swag flexing, I initially could not take it seriously. Over time however, I began to hear of Savage more and decided to give his mixtape a listen. What could it hurt, right? Turns out I was glad I did.

I may not fully identify with Slaughter Gang, Chiraq Boys, or this young people’s generation of trapping, drug-dealing, “runnin’ up in them bandos”, pulling heists or other actions that might declare one as hard, but I can identify when music is bumpin’ as fuck (excuse my language, it is necessary here).

Slaughter King: Rating (4.5 out of 5 stars)

21 Savage’s “Slaughter King” is a solid tape full of hard, trap beats and lyrics that actually go above and beyond what I would expect from another trap rapper from ATL’s hoods to come up with. Not to say these rappers or this type of music isn’t ever witty or creative, but as is the problem in many genres (my god, like dubstep) after some time you realize a LOT of it sounds the same.

Thankfully, Savage switches it up with clever lyrics, original if not downright catchy ad-libs (21, 21, 21!!) and hooks. Two of my favorites so far off his December mixtape include “Lord Forgive”: the reflective, but very deep opening trap banger with Savage reminiscing on his come up in the rap game and in urban street life in general. For whatever reason, the instrumental ( masterfully produced by Fukk 12) makes me feel very nostalgic, but also very contemplative. The song definitely immediately feels heavy and while listening to it, as one YouTube commenter put it, “[you] can feel Savage’s pain on the track,” which comes across as sincere and certifiably street.

“MInd Yo Business” is probably one of the catchiest on the tape with a repeating hook (“Mind yo bidness b*tch”) over a similarly hard beat. The track is far more active compared to “Lord Forgive” and is already a favorite among many. There are many other standouts on the mixtape, “Deserve,” “No Peace” and very few boring or even similar sounding songs, save for one or two. Even on those tracks Savage still manages to make them entertaining.

Do yourself a favor (if you’re not an original/true fan of this genre of rap): suspend your judgement and how much you identify with gangsters and hood stars, or even the killers (as Desiigner’s “Panda” would like you to do) and simply enjoy and appreciate the power and feeling behind these trap-heavy numbers. You might be glad you did! Also in similar style of rap, also from Atlanta was Bankoll Fresh who has many now classic releases, following his tragic death in a shooting in March 2016.

 

[Future ATL Dance] iLoveMakonnen – Tonight (Ba-kuura Remix) // [Future House/Grime] Sigala – Sweet Lovin’ (Crookers Remix)


[Future ATL Dance]
iLoveMakonnen – Tonight (Ba-kuura Rmx)

[Deep House/Future Grime]
Sigala – Sweet Lovin’

The current state of EDM music never ceases to amaze as it has branched and developed into so many unique styles in these past few years. Full of hometown pride I am happy to feature Ba-kuura’s future Atlanta dance/quasi-IDM remix of iLoveMakonnen’s Tonight“. The added drums and bass compliment well Makonnen’s warbly crooning, nothing new from the Atlanta rapper whose “singing” strikes somewhere between corny and genius.

Next up, what starts out as your typical chill, yet up-tempo House groove dissolves the familiar rhythm structure and switches up the beat with funky UK Grime-style basslinesSigala’s Sweet Lovin’” is right up there with most of today’s Future House but somehow, just does it a little bit better. Needless to say, the song is pure crack, and not to be missed by those who appreciate good music.