Category: Reviews

[Future Festival Chill:] Morgan Page – Fight For You (Beltek Remix), Mash-Ups & Remixes


[Dance/House:] Morgan Page – Fight For You (Beltek Remix)

I fight for you,
I didn’t wanna have to raise my voice…
I’m right for you,
You really leave me with no choice…

Morgan Page’s “Fight For You” is already epic enough in it’s original form, with the incredibly festival-ready mash-up take on Page’s own “Fight For You,” combined with Nima Nesta’s “Derby” in “Derby Fight“. or the deep ambient, Sultan & Shepard Remix or the dubstep-heavy Culture Code Remix. The Beltek Remix is another great, mixable remix emphasizing the heavy atmospheric basslines and melodies inherent in the popular song. Having been remixed six ways to Sunday there is a remix in probably at least one genre that any person alive would enjoy. Check some of them out below:

[Dance/Electronic:] Fight For You – Morgan Page

[EDM Festival House:] Derby Fight – Morgan Page Vs. Nima Nesta

[House:] Fight For You (DJ Dan Remix) – Morgan Page

[Dubstep/House:] Fight For You (Culture Code Remix) – Morgan Page


[Deep House:] Fight For You (Sultan & Shepard Remix) – Morgan Page

Find more here:
Morgan Page Soundcloud
Morgan Page Twitter
Morgan Page Facebook
Nima Nesta Soundcloud
Nima Nesta Facebook
Nima Nesta Twitter

[Hip-Hop/Rap Origins:] Wiz Khalifa’s more “indie & underground hits” // PRE-Celebrity Wiz // [Conscious Hip-Hop / Intelligent Rap:] Common – The Game


Keep the Conversation – Wiz Khalifa

To keep the conversation light, I tell the girl a comical line…

Off of one of Wiz’s earliest mixtapes, Show and Prove, “Keep the Conversation” is a favorite with it’s smooth use of sampling and the very original, unorthodox beats that Wiz often rapped over in his days of coming up. Wiz’s production team was just as fire as the rapper himself and delivered top-quality music that would set the course for a new direction in hip-hop music that began when Wiz emerged (from 2006 onward) and ushered in an era of “unorthodox” rappers such as, Kid Cudi, Curren$y, Charles Hamilton, J. Cole, Wale and many more.

Other notable smash-underground tracks by Wiz include: Moolah and the Guap, Homicide (Remix), Still Blazin’, Won’t Land (with a Lucini sample) and Stu (feat. Juicy J)

The Game – Common

It’s global warmin’,
the world is shifting
watchin’ Sweet Sixteen,
bitchin-ass rich kids!

The ever-classic Common is one of the rappers at the forefront of the “conscious hip-hop” movement or “intelligent hip-hop/rap” as I also call it. Music in this genre (and subsequently, in my playlist of the same name on my iPod) are focused more around the message of the lyrics, use more old-school style or soulful beats or are otherwise non-mainstream.

Common’s Finding Forever was a very iconic album for many reasons and some would say it was the album that jettisoned Common onto the national and international stage. It also signaled his induction into Kanye West’s G.O.O.D. music group. He collaborated on the album with British Pop/Hip-Hop songstress Lily Allen (Drivin’ Me Wild), Kanye West (Southside) R&B singer D’Angelo and the late legendary beat-maker, J Dilla (So Far to Go).

So Far to Go (feat. D’Angelo & J Dilla) – Common

[EDM Origins House & Alternative:] Kaskade – Steppin’ Out // Kosheen – Same Ground Again


Kaskade is probably one of the most popular and sought-after American producers of electronic and house music. Chances are, if you watch TV, play video games or went to the movies you’ve heard one of his songs. His music is featured in many different forms of media, much akin to fellow EDM producers and DJs, like BT and Paul Oakenfold.

Our feature is one of Kaskade’s signature songs from the early 2000s, the completely chilled-out, smooth house single “Steppin’ Out”

Kaskade is largely known for growing the house music scene in his hometown of Chicago in the early 2000s. Though Kaskade has varied in musical styles during his growth, as a whole, his music can be said to be fulfilling for the soul, or music to put you at ease. Much of his house music includes sultry female vocals alongside soft, harmonic melodies that become instantly recognizable, simply from their uniqueness. Take the song that introduced many, including myself to Kaskade, his absolutely astonishing remix of David Morales & Tamra Keenan’s “Here I Am” featured in the 2006 film The Devil Wears Prada.

Next up was a random song that my iPod shuffled to today. An EDM/progressive-house tune I bought and downloaded back when I was a senior in high school (2007). This one comes from Alternative Electronic band Kosheen, one of their bigger breakout singles, “Same Ground Again“. In fact, their whole 2007 EP, Damage is chock-full of good alternative-sounding electro music that still holds up today. Check it out above and see more from Kosheen at the links below:

[Throwback] [Classic Wiz] Wiz Khalifa – Hopes and Dreams


Clearing out favorite bookmarks is about a tedious task as trying to clean up your e-mail (especially when your inbox basically permanently says 1000+ new messages), but sometimes you stumble across gems you forgot you favorited 2 years ago.

Re-stumbling across a review of one of my long-time favorite rappers (at least when we was underground) Wiz Khalifa‘s third studio album, first major-label EP Rolling Papers, which released to mixed reviews in 2011. While technically more than competent, the content and lyrics of the album were a departure from Wiz’s original style he expressed in his earlier mixtapes, like Kush & OJ, the legendary P.O.T.C. tapes or even B.A.R. (Burn After Rolling).

My initial reaction to the Spin review of the album was that the author was over-hyping this musical “fail” and stuck on the ability of a big budget to make a rapper’s album sound polished and “professional.” However, when he had brought up longtime favorites that really weren’t too bad, in fact Wiz had some sleeper hits on there as well, a few I agree with the author such as with “Rooftops” featuring Curren$y, “The Race,” one of the top tracks of the album, or Roll Up (the most mainstream but catchiest single by far. There were a few other songs I give 5 stars in my iTunes here: “Top Floor” with an addictive very-experimental beat, “Hopes and Dreams,” my personal favorite of the album, and “wake Up” all do more than enough justice to Wiz’s earlier works.

The remaining tracks, while not necessarily terrible, were not anything great either. I completely disagree with the SPIN article’s author opinion of “Fly Solo,” that song. was. just. terrible. Which is why today’s highlight will highlight “Hopes and Dreams” from Pittsburgh’s own. “Star of the Show” with fellow Taylor Gang label-mate Chevy Woods is also a standout, with that “chill” vibe Wiz is known for.