[Video Games] [J-Electropop] Utada Hikaru – Simple & Clean (Ray of Hope Remix)


[Video Games] Kingdom Hearts HD 2.8

Electronic/Pop
Simple & Clean (Ray of Hope Remix) – Utada Hikaru
Theme from Kingdom Hearts HD 2.8 Remake for Playstation 4.

Kingdom Hearts HD 2.8 Opening Movie:

Simple & Clean “Ray of Hope Mix”

When you walk away, you don’t hear me say
Please, oh baby – don’t go!
Simple and clean is the way that you’re making me feel,
tonight, it’s hard to let it go

We’re almost through our first month of 2017 so congrats to everyone for that! In other news, fans of role-playing games, Disney, Square Enix and Utada Hikaru are rejoicing around the world at the release of Kingdom Hearts HD 2.8 Final Prologue for Playstation 4. Released January 24, 2017 (my birthday week!) the game has been a long time coming for many fans after several side spin-off games were released in the past few years and little updates for Kingdom Hearts 3 have surfaced.

Nevertheless the game will likely prove to be extremely popular and wildly successful like most of the offerings in the award-winning franchise that pits Square Enix characters (including popular heroes, and villains, from Final Fantasy) with Disney characters and often in Disney “worlds.”

Since the beginning of the series, Japanese-American singer, Utada Hikaru, has been seen as a sort of frontrunner for the series as the titular games in the series (KH1 & 2) both featured some breath-taking opening movies featuring music from Hikaru. For 2.8, the iconic “Simple & Clean” from the original Kingdom Hearts gets the remix treatment turning from a dance-techno pop song to a more electro-pop/dance offering.

The “Ray of Hope” remix is quite interesting, though short, and 2.8’s opening movie makes it feel all the more epic. You can check out the video and the song itself above. Here’s hoping to a remix of Kingdom Hearts 2‘s “Passion” showing up somewhere eventually as well.

[ATL Hip-Hop:] Rae Sremmurd – Black Beatles (feat. Gucci Mane) [Prod. Mike Will]

Rae Sremmurd’s “Black Beatles,” a power rock-rap anthem produced by Mike Will is climbing charts.


[ATL Hip-Hop & Rap]
[Music Video]
“Black Beatles (feat. Gucci Mane) [Prod. by Mike Will]” – Rae Sremmurd

Like clockwork I blow it all, then get some mo’
Get you somebody that can do both
Black Beatles got the babes belly rollin’
She think she love me, I think she trollin’

[Audio:]

 

Rae Sremmurd and Gucci Mane are tearing up the charts around the country with their feel good rockstar anthem “Black Beatles.” Though the song has been out since October (the track enjoyed early spins as part of a mix on ATL’s HOT 107.9 FM), it seems many people are just now finding out about the song. Streetz 94.5 FM announced the song had made the top 3 on the charts a few days ago, many after it’s competitor HOT 107.9.

Coming across exactly as the title states, “Black Beatles” is a feel-good rock rap anthem from two very urban rappers. The clash of genres certainly creates a certain amount of rock flair that shines through in the excellent chorus, mesmerizing beat and carefully chosen lyrics. Gucci Mane rounds out the track with some of his first verses since his release. They aren’t exactly GOAT Gucci, but they don’t detract from the overall feel of the song either. If you haven’t already, do yourself a favor and check out this track. You can also check out Rae Sremmurd’s latest album “Sremmlife 2” and Gucci Mane’s recent “Woptober.”

[Video Game Review] [Music Games] VOEZ – Rayark’s beautiful FREE Anime music game on iOS & Android

VOEZ is an amazingly beautiful FREE music game app for iOS and Android that takes inspiration from anime and Asian music arcade games.


[Video Game Review]
Music Game VOEZ for Mobile Devices
Rating: 5/5 Stars & Honorable Mention
Publisher: Rayark Games

VOEZ. The musical tapping game seeks to revolutionize music gaming and mobile gaming.

Previously known as Project V, earlier this week Taiwanese game company Rayark Games released their much anticipated project Voez. Many had been anticipating the game for the better part of this year. I just happened to browse through Apple’s iTunes Music / App store and the Editor’s Picks section was raving about the game. It looked good enough the pictures drew me in with beautiful artwork and graphics.

Essentially, this game is Tap Tap Revolution on crack, well actually more like TTR’s rich, sophisticated, too-cool-for-school cousin that everyone wants to be like. As mentioned in the video review above the game combines elements of DDR (Dance Dance Revolution; a game I used to compete in tournaments for), Beatmania (an offshoot of DDR; CRAZY popular throughout Japan and Asia), and Rock Band.

As soon as you open the game you can tell it is certainly made/influenced by Asian music arcade games. From the slick presentation, the opening anime movie sequence complete with soothing Engrish lyrics to the opening menu and tutorial the game feels too good (and professional) to be true, or free!

The best part of the game however is the gameplay and the music. While most music games, especially for mobile devices have simply cheesy original music or borrow a small helping of “real songs” that usually suck (I’m looking at you Tap Tap) all the songs in Voez feel like they were ripped straight out of Japan’s newest release of JuBeat or Beatmania IIDX, the artists have certainly put in work to create some truly stunning songs. Though most of the songs appeal to an audience that likes anime or has played Japanese music games before (much of the songs are in Chinese or Japanese, are dubstep or happy hardcore) the quality of the songs is so great you might like them even if you don’t like the style of music.

Better still, are the amazing graphics of the game. Everything feels crisp on the playscreen and because the screens are loaded all at once, even lower end devices can play the game fairly well. Like Rock Band or Guitar Hero, you are in command of lines of notes that scroll to a horizontal line at the bottom the screen. You tap the notes as they hit the bottom of the screen in time to the music, maintaining your combo and trying to do as best you can. As you tap the notes radiate a beautiful diamond shape in rainbow colors (if you were exactly on beat) or in gold if you were pretty close to exactly on time.

However, it’s not that simple. There are different note types, some you simply tap, others you must swipe (like unlocking your phone screen), some you must slide your finger across the screen and others you must “freeze” your fingers in place and slide them as well. Not only that, but on some songs (like my favorite “Refel” by Sakuzyo) the actual play grid will shift and move as bass drops hits or during dubstep bass womp rolls (like in “Flame Dark”).

The degree of technicality involved, and how precisely the notes appear, even in timing with the vocals of each song is impressive. Each time you play you want to do better and like most Asian music games, you feel an intense sense of accomplishment when you ‘full combo’ (FC) or perfect a song without missing a single note. The leaderboard is full of players from Asia and America who have FC’d every song. Not only that but your taps can be “Perfect Perfect” or “Perfect Good” meaning if you get more notes tapped exactly on beat even if you miss a few, your score will be higher than someone who full combo’d the song but was not quite as on beat as you. Getting better seems impossible but each time you play you get better as you learn where the notes fall and how the grid shifts.

Voez Review and Rating:

Graphics: 5/5 – Beautiful graphics that are hard to believe are in a free game. From the anime-inspired artwork, the Beatmania/DDR-esque song selection screen to the playboard, this game would fit right in in an arcade or on Xbox Live Arcade / Playstation Network.

Sound: 5/5 – From the menu selection to the songs, its all top notch. The songs are addictive and on iTunes for purchase. Best are “Flame Dark” “Platinum” “Keep You Safe” and “Refel”

Gameplay: 5/5 – The gameplay is addictive and easy to learn, but tough to master. You will find yourself looking for songs in your difficulty range to perfect, and each day you play you will do better and better, which feels great.

P2P/IAP 4.5/5 – While the song selection is very good, you start the game with maybe 1 or 2 songs. After a few rounds of play you unlock keys, which unlock songs but you can’t take them back. I unlocked a few songs I later regretted. Aside from the 2-3 the game gives you, you must buy the rest ($0.99 a song, $4.99 for 6, about $20 for 35 songs, etc.). I ended up buying about 8 songs. In fact, if you don’t buy any the game gets repetitive rather quickly

Summary: Overall, VOEZ is awesome game that should delight music fans, anime fans, or anyone looking to try something new. The game is both exciting and relaxing and is simply a joy to play. It is quite easy to lose an hour trying to best your scores or simply admiring the beauty that is this game.

 

 

 

[Hip-Hop/Rap:] [Real Wavy] Miles Meraki – My Phone (w/Kasey Jones)


[Hip-Hop/Rap:]
Miles Meraki – My Phone (w/Kasey Jones)

Over a spacey-epic beat, the hard hitting “My Phone” from Miles Meraki is an energy-producing, yet mellow song strangely appropriate for the turn-up and the turn-down. The ghastly sounding synths coupled with the powerful, bumping bass create a shoulder and head bouncing under-the-radar trap-hit. Featuring backup from rapper Kasey Jones the two channel vibes of mainstream rappers, without all the mainstream cheesiness. Definitely worth checking out.

Check out more from Miles Meraki below:

Miles Meraki Soundcloud
Miles Meraki Twitter

[Rap & Trap Music] 21 Savage – Lord Forgive & Mind Yo Business


21 Savage’s “Slaughter King” is a steady progression of hard, dark trap beats and street lyrics that goes above and beyond its genre cliches.

[Rap & Hip-Hop] [RTS: Real Trap Sh*t]
21 Savage – Lord Forgive (prod. by Fukk 12)

21 Savage – Mind Yo Business

More from 21 Savage

If you’re not familiar with current Atlanta trap music “slaughter king,” 21 Savage shame on you…and me. I was not either until a few months ago back in early Spring. As an old head (or maybe slowly becoming an old fart), I had stopped following this generation of “trap” hip-hop after Chief Keef’s “I Don’t Like” and similar songs dominated airwaves in the past year or two. Of course, here and there I’d hear a song I liked, mostly off of the radio, but I’ve always identified more with “trap” music of the early to mid 2000s (think Gucci ManeT.I., Lil’ Boosie, Cam’Ron and a host of long fizzled out local ATL groups, like Crime Mob or D4L.

While recently chillin’ with some young bucks in the ATL streets, they did not hesitate to introduce me to the budding rapper. Just as I was with dubstep, trap EDM and IDM music, I did not immediately embrace this new type of music shown to be by friends. Especially as it seemed so braggadocious and over-laden with swag flexing, I initially could not take it seriously. Over time however, I began to hear of Savage more and decided to give his mixtape a listen. What could it hurt, right? Turns out I was glad I did.

I may not fully identify with Slaughter Gang, Chiraq Boys, or this young people’s generation of trapping, drug-dealing, “runnin’ up in them bandos”, pulling heists or other actions that might declare one as hard, but I can identify when music is bumpin’ as fuck (excuse my language, it is necessary here).

Slaughter King: Rating (4.5 out of 5 stars)

21 Savage’s “Slaughter King” is a solid tape full of hard, trap beats and lyrics that actually go above and beyond what I would expect from another trap rapper from ATL’s hoods to come up with. Not to say these rappers or this type of music isn’t ever witty or creative, but as is the problem in many genres (my god, like dubstep) after some time you realize a LOT of it sounds the same.

Thankfully, Savage switches it up with clever lyrics, original if not downright catchy ad-libs (21, 21, 21!!) and hooks. Two of my favorites so far off his December mixtape include “Lord Forgive”: the reflective, but very deep opening trap banger with Savage reminiscing on his come up in the rap game and in urban street life in general. For whatever reason, the instrumental ( masterfully produced by Fukk 12) makes me feel very nostalgic, but also very contemplative. The song definitely immediately feels heavy and while listening to it, as one YouTube commenter put it, “[you] can feel Savage’s pain on the track,” which comes across as sincere and certifiably street.

“MInd Yo Business” is probably one of the catchiest on the tape with a repeating hook (“Mind yo bidness b*tch”) over a similarly hard beat. The track is far more active compared to “Lord Forgive” and is already a favorite among many. There are many other standouts on the mixtape, “Deserve,” “No Peace” and very few boring or even similar sounding songs, save for one or two. Even on those tracks Savage still manages to make them entertaining.

Do yourself a favor (if you’re not an original/true fan of this genre of rap): suspend your judgement and how much you identify with gangsters and hood stars, or even the killers (as Desiigner’s “Panda” would like you to do) and simply enjoy and appreciate the power and feeling behind these trap-heavy numbers. You might be glad you did! Also in similar style of rap, also from Atlanta was Bankoll Fresh who has many now classic releases, following his tragic death in a shooting in March 2016.

 

[Future House] marshmello Starter Pack // IDM: Intelligent Dance Music from Mr. Carmack & more

Check out these Future House hits from marshmello, Mr. Carmack and more…!


Wrong – marshmello

Colourr – marshmello

If you haven’t heard of marshmello yet and consider yourself an EDM fan you have got some serious life choices to re-evaluate. Taking the genre by storm since his arrival, he considers his music “deep fluffy sexy trap house” according to his Facebook. He is indeed correct in that marshmello‘s tracks successfully combine elements of house, trap and even older styles of dance music to create truly epic tracks. One of his older tracks “Find Me” was on a mix CD I left in my mother’s car about 4-6 months ago and she still bumps it to this day! Check it out below and a different style of futuristic EDM on the next page.

Find Me – marshmello
https://soundcloud.com/trapmusic/marshmello-find-me


Check out some of these IDM (Intelligent Dance Music) tracks; notable for their departure from some of the more conventional characteristics of dance music.

Gud Vibrations – NGHTMRE & SLANDER

Cool (Mittens Remix) – Alesso

Waaaait [a.k.a. lonelyfuckingsamurai] – Mr. Carmack

[Hip-Hop / Trap Music] Floss B – Ain’t Even Do It (feat. Trap)

Atlanta rapper Floss B is making waves on Streetz 94.5 and more with his new single “Ain’t Even Do It”.


[HIP-HOP/ TRAP MUSIC]

Floss BAin’t Even Do It (feat. Trap)
I Ain’t Even Do It
[Music link provided by DJ Holiday. Stream on-site]

img_7505-640x427
from Holiday Season Live

Rapper Floss B has been making waves as his latest single “Ain’t Even Do It” continues to enjoy airplay on Atlanta radio stations such as Streetz 94.5 FM. The single evokes elements of trap and street music much along the same lines as Travis Scott, Jeezy or Young Thug. The heavy bassline rides throughout the song over trappy 808-snares, blending well with the repeated hook “I ain’t even do it.” Check out the stream of his new song above (compliments of DJ Holiday’s “Holiday Season” blog).

Alabama-born rapper Floss B, Brian Verner, has lived in Atlanta for over a decade and says he’s hoping to shake things up a bit as he becomes further involved in the music industry.

“I’m trying to bring good quality music back to the game,” said Floss. When asked what are his next plans for his music, Floss responded, “I am really just very thankful to have my song being played on Streetz 94.5 and receiving a lot of support from DJ Holiday.”

“I just want to see how this song does then I’ll go from there” he added.

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You can read the article on Floss B‘s song on DJ Holiday’s blog as well.
Floss B Facebook Fan Page

You can follow Floss B on Twitter at: @officialflossb
and DJ Holiday at: @djholiday or on his Instagram