Check out this incredibly chill, irresistibly cool remix of Selena Gomez & A$AP Rocky’s “Good For You” from Swedish EDM artist and producer Anevo.
[Future House]
Adele – Hello (Pegassi Remix)
[Ambient Chill] Adele – Hello (Anevo Remix)
Next up, two great remixes of Adele’s “H3llo” the first a Future House take from British EDM producer Pegassi, the other a much more ambient-chill version again from producer Anevo.
We’ve got two eclectic EDM highlights today coming from some very talented artists.
Our first selection is an amazing future-lounge remix (think music played in posh waiting rooms in 2025), of Calvin Harris & Ellie Goulding’s monumental classic “Outside” remixed by Anevo. Anevo’s take on the song adds additional layers of chill, Ellie’s smooth vocals, calming “beach-song” guitar chords create a perfect combination of dance music elements. The result is a “future-banger” ready for downtempo clubs, and waiting rooms (heh, couldn’t help) across the world.
Also check out another smash-remix of Anevo, his cut of one of my favorite new electronic groups, Years & Years, “King (Anevo Remix)”
[Festival Anthem House-Trance] Eric Prydz – Opus (Original Mix)
Eric Prydz has been a staple EDM artist/DJ/producer since before the term “EDM” even existed. Having released music under numerous aliases, such as Pryda (also the name of an iconic album Prydz released in 2012). “Opus” is the culmination of the evolution of electronic, house music, and dance festival anthems. The Original Mix of the song has a lengthy build-up which peaks with a “drop” further cementing a sound reminiscent of Daft Punk or deadmau5. Check out more from Eric Prydz below with some of his other hit songs and links to his web presences below:
Origins’ posts of the day include a hip-hop throwback from one of the game’s legends, Eminem. On the flipside, EDM Origins covers two deep-trance throwbacks, one, vocal chill the trance, the other a festival-ready trance-hit.
Today’s Hip-Hop Origins / Throwback Post:
[Hip-Hop/Rap] Eminem – Seduction (prod. by DJ Kahlil)
From his 2010 album “Recovery” which Eminem has rapped about in his semi-unreleased single “Syllabes” featuring Jay-Z, Dr. Dre, Stat Quo & 50 Cent, claiming “Encore he [I] was on drugs, Recovery [I] was flushin’ em out” Eminem recognized this wasn’t his strongest album, but despite that a few bangers are still present. “Seduction” is a deeply-emotional track with a very solid beat and rhyme structure where Mathers compares the rap game to a woman he wants to seduce with lines like “One minute she loves you / the next she don’t / she’s been stolen from you / it’s like a (verbal) seduction when I tell ’em ‘Girls on the floor…”
Eminem is contanstly brought up on comment sections and internet forums as one of the “Greatest MCs of All Time,” whether true or not, no one can deny the “not afraid to take it there” rapper, “8-Mile” star-actor, and ever-controversial Marshall Mathers lacks longevity. Eminem’s music is a shining beacon of originality in a music scene, that, at times, completely lacks it. Ever since hearing “My Name Is (Slim Shady)” at summer camp probably around the age of 10, knowing “my parents would kill me if they knew I was listening to such profane music” (lol) I knew there was something special about Eminem. He had a very unique sound, that sounded authentic, not faked, and some killer back-up in production and features. Working with Dido, Dr. Dre, 50 Cent and countless other artists Eminem certainly has a spot in the circle of “Greatest Rappers of All-TIme.”
Check out this classic throwback and leave comments below about what you think of Recovery and Eminem as a rapper.
[Eurodance / Festival Trance] 4 Clubbers – Secrets
Next we’re highlighting two classic trance tunes, Tom Klous’ “Secretly” and 4 Clubbers’ “Secrets (Club Mix),” two great EDM tracks showcasing the moving power of good trance music. The first “Secretly,” from EDM DJ-producer, Tom Klous, is a chill vocal trance track with heavy layers of instrumentation coupled with mesmerizing vocals (from Tiff Lacey). The second “Secrets,” by 4 Clubbers, is much more energetic and incorporates this energy into fist-pumping, festival-ready synths alongside a very European-style dance/bass structure.
[Future Bass / Dancehall:] Too Original (Mandragora! on Acid Remix) – Major Lazer feat. Elliphant & Rockwell
[Festival Trap / Future Trap:] Too Original (T-Mass Remix) – Major Lazer feat. Elliphant & Rockwell
[Future Dancehall] Too Original (feat. Elliphant & Rockwell) [Official Version] Lyric Video – Major Lazer
I’ma blaze high, til’ the day I die sweat the shit out, every tear, every lie Anybody wanna dance with meh? Sippin’ on my rum in the corner still, ah
We a groove to di morning break.
Na, we go banana ina suga shake…
Bring the base up, make a blasta block!
Major Lazer’s lastest album Peace is the Mission has generated a lot of buzz in the music world, especially concerning EDM. With the chart topping single featuring Ariana Grande, “All My Love” dominating US (and worldwide) airwaves it’s only right to do a feature on another quite popular, more eclectic single from the album “Too Original.”
[Dance/House:] Morgan Page – Fight For You (Beltek Remix)
I fight for you, I didn’t wanna have to raise my voice… I’m right for you, You really leave me with no choice…
Morgan Page’s “Fight For You” is already epic enough in it’s original form, with the incredibly festival-ready mash-up take on Page’s own “Fight For You,” combined with Nima Nesta’s “Derby” in “Derby Fight“. or the deep ambient, Sultan & Shepard Remix or the dubstep-heavy Culture Code Remix. The Beltek Remix is another great, mixable remix emphasizing the heavy atmospheric basslines and melodies inherent in the popular song. Having been remixed six ways to Sunday there is a remix in probably at least one genre that any person alive would enjoy. Check some of them out below:
[Dance/Electronic:] Fight For You – Morgan Page
[EDM Festival House:] Derby Fight – Morgan Page Vs. Nima Nesta
[House:] Fight For You (DJ Dan Remix) – Morgan Page
[Dubstep/House:] Fight For You (Culture Code Remix) – Morgan Page
[Deep House:] Fight For You (Sultan & Shepard Remix) – Morgan Page
Throwback to this incredibly catchy moombahton track with mesmerizing amounts of bass and sampled Patois-sounding vocals repeating over and over. EDM artists, AggroKids (the combined effort of David Heartbreak & Rell the Soundbender) “Killa” has a sick, filthy bass-line that runs throughout creating a guaranteed club/floor-filler. Killa is certainly one of the better tracks of the Moombahton Forever, a latin-heavy electronic mixtape full of baile music and bass.
You can find more on AggroKids on these social media websites and download “Killa” from their Souncloud.
“貧乏なんて気にしない” Official Video [Translation: I don’t mind if I’m poor]
Japanese rapper KOHH has been making waves in the international hip-hop scene for quite some time now. After joining up with rapper J $tash’s Relax Gang for the track and comedian, former TV star and social media star Andy Milonakis. KOHH’s Riverside mixtape goes beyond the highly catchy, viral song as he dives into American street rap and trap music on tracks like “NBA” with his semi-frequent use of the “N” word, and a club-ready “definitely goes hard” remix of his “Hello Kitty” by Watapachi.
The second track has KOHH reminiscing on his upbringing in the streets of Japan. Kohh explains this is where he saw plenty of drug use, violence, killings and other aspects of growing up in rough neighborhoods that most Japanese people are never even exposed to. KOHH said in an article inPublic Radio International he “lamented the fact hip-hop culture is seen as strange in Japan. But he hopes to change that…” His breakout-single “Hiroi Sekai” is making waves on Youtube, WorldStarHipHop, Vimeo and many more sites as are his mixtapes on illMixtapes and HotNewHipHop.
Want to know about more Japanese rap acts, like a Japanese woman who raps about Finaru Fantaji (Final Fantasy), the Edan-reminscent Issugi from Monju, or hip-hop and ambient instrumental producer Evisbeats (reminscent of Pharcyde, Flying Lotus, or even Nujabes. Check out this blog post from the UK version of Complex for more great Japanese acts:
LUMiNOUS Musings 